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Cocoa Concerts
For almost a quarter of a century, the Festival Orchestra’s program series for children has brought a high-quality classical musical experience to the youngest.
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Last event date: Sunday, May 12 2024 4:30PM
Cocoa Concerts
Sunday, October 8. 2023. 2:30 p.m. and 4:30 p.m. - Erika Illési
Sunday, November 19. 2023. 2:30 p.m. and 4:30 p.m. - Erika Illési
Sunday, February 11. 2024. 2:30 p.m. and 4:30 p.m. - Iván Fischer
Saturday, April 20. 2024. 2:30 p.m. and 4:30 p.m. - Erika Illési
Sunday, May 12. 2024. 2:30 p.m. and 4:30 p.m. - Iván Fischer
The orchestra’s rehearsal room not only serves experimenting with the tiniest details of the symphonic pieces to be performed or playing chamber music, but also as the venue for educating the next generation of classical music lovers. There is no better promotion of these events than the fact that several members of the BFO’s loyal audiences came to love music at these Cocoa Concerts, with a polka-dot mug in their hands, and they bring their own kids these days. While listening to the orchestra’s excellent musicians performing in a cozy atmosphere, the audience will learn about the instruments of the symphony orchestra and concert etiquette in a playful and interactive manner. After the concert, the kids can have a mug of cocoa in the lobby.
Since 2015, we have also offered an autism-friendly version of our Cocoa Concerts thanks to the professional contribution of Nemzetközi Cseperedő Alapítvány (an international foundation to support children and their families living with autism). To ensure that the children living with autism do not encounter anything unexpected during the concert, the BFO provides the families with some information material in advance to help them prepare the children for the visual and auditory stimuli.
Our offer
A Fővárosi Nagycirkusz és a Kazanyi Állami Cirkusz közös produkciója, a MIRÁZS, a magyar és közép-ázsiai őstörténet legendás világába repíti a nézőt.
Recirquel’s new production, Paradisum explores the myth of rebirth following the silence of a destroyed world, where the means of communication is the body, and the only common language is movement. The creatures of this idyllic existence unfold from the ever-changing, swirling natural forces of the ‘fabric of life’ that pulsates around them, so they can reach the anima mundi, the world soul, through scenes of purification, birth, awakening and ritual.
Giuseppe Verdi LA TRAVIATA Opera in two parts, three acts, in Italian, with Hungarian, English, and Italian subtitles
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